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Photography Ecosystems

In this post, I define the concept of an ecosystem and then a digital ecosystem.  I then introduce the features one would want in a photography ecosystem.  I discuss the major players in this space, including Apple, Google, and camera brands. I also discuss software services such as Adobe Creative Suite, including Lightroom and Lightroom Classic, Camera One Pro, Leica FOTOS, DxO PhotoLab 6, and other offerings.

I focus on the Leica Photography Ecosystem and show my own workflow within that ecosystem.  

What constitutes an ecosystem?

Wikipedia defines an โ€œecosystemโ€ as โ€œall the organisms and the physical environment in which they interact.โ€ Natural ecosystems are influenced by external factors such as climate, soil, and topography, as well as internal factors such as decomposition and the type of species present.  

Ecosystems are dynamic and evolutionary and are subject to periodic disturbances.  They can adapt and survive these disturbances.  There are various types of ecosystems, including aquatic and terrestrial ecosystems. 

An example of an ecosystem is the High Peaks Wilderness Area in the Adirondack Park in New York State. Other examples include the Amazon Jungle Ecosystem and the Australian Coral Reef Ecosystem. 

The takeaway from this discussion is that ecosystems consist of a physical environment, organisms that interact with the environment, and the capacity to adapt and evolve as that environment changes.  

What is a Digital Ecosystem?

In the same way we talk about a natural ecosystem, we can adapt the term to our digital lives.  Below is a working definition of a digital ecosystem, based on the Wikipedia definition Digital ecosystem – Wikipedia.

“A digital ecosystem is a distributed, adaptive, open socio-technical system with self-organization, scalability, and sustainability inspired by natural ecosystems. Digital ecosystem models are informed by knowledge of natural ecosystems, especially concerning competition and collaboration among diverse entities.” (emphasis added)

How do we couch this in lay terms and translate this to reflect what we do in real life?  We belong to one or more digital ecosystems: Apple, Google, Microsoft, and Amazon. There may be others, but I will focus on these four.

What makes these digital ecosystems?  Apple and Google provide mobile devices such as the iPhone and Pixel phones, search services, desktop and mobile device operating systems, cloud services to store files and photographs, and mechanisms for sharing content with friends and family. Microsoft offers users a Windows operating system environment, search services, Office 365 apps, and cloud storage.

Amazon handles our e-commerce needs, Kindle and Audible media, Amazon Prime video, and music.  Amazon Web Services offer cloud services for storage and virtual computing.

Apple is a tightly-coupled ecosystem because it has complete control of hardware and software.  Google, Microsoft, and Amazon can be viewed as loosely-coupled because they do not control hardware and software.  They all adapt to competition and offer products initiated by their competitors. They also evolve as new technologies are introduced, for example, AI-based large language models such as ChatGPT.

What is a Photography Ecosystem?

What would we be looking for in a Photography Ecosystem? Here are a few features worth considering:

  1. Support for one or more cameras and apps;
  2. Software to import, store and manage photos;
  3. Mobile apps to allow photographic workflows independent of desktops and laptops;
  4. Cloud-based storage for syncing photos across multiple services;
  5. Social support for users to share photographs, concepts, opinions, and interactions; and
  6. Regular online or in-person meetings that allow users to learn from experts.

Clearly, both Apple and Google support items 1-5.  Apple handles Item 6 through its physical stores.  Googleโ€™s YouTube app has multiple channels dedicated to photography and various cameras.

But what about camera manufacturers?  Do they have their own ecosystems?  I say they do! Letโ€™s explore this point.

General Photography Ecosystems

To include camera manufacturers other than Apple and Google, we have to extend our definition to include additional cameras as well as several sophisticated software services.  Here is a diagram showing the components of a general photography ecosystem.

Components of a General Photography Ecosystem

Camera Manufacturers

Apple consistently improves its iPhone cameras with each iteration of the phone.  It uses โ€œcomputational photographyโ€ to process images in-camera before the user views them.

Although the photos coming out of the iPhone are phenomenal, some prefer a stand-alone camera to take pictures.

Major manufacturers that come to mind are Panasonic, Nikon, Sony, Canon, and Leica. I have owned cameras from Panasonic, Nikon, and Canon.  I now use Leica gear.

Leica has a smaller market share than the others but prides itself on its brass camera bodies, its superb lenses, and the overall fit-and-finish of its products.  However, this comes at a price, as its camera bodies and lenses are expensive.

Leica also has introduced a mobile app called FOTOS, which connects to a Leica camera via Wi-Fi, and allows users to download images from the camera directly to an iPhone or iPad.  From there, users can edit and share their photos via social media. A future post will be dedicated solely to the FOTOS app.

Photo Editing Software

Several photo editing software programs include the Adobe Creative Cloud Suite, Capture One Pro, and DxO PhotoLab 6.  I have first-hand experience with these three. Each supports all the major camera brands.

Adobe Systems

Adobe has created a โ€œsoftware suiteโ€ of apps. They include Adobeโ€™s Creative Cloud, apps such as Lightroom Classic, Lightroom, Photoshop, and others.  The same apps are also available for iOS-based iPhones and iPads.  They have their counterparts for Windows desktops and Android-based phones and tablets.

In addition, Adobe Cloud is used to synchronize photos and user comments across all platforms.  Adobe offers several plans for photographers  The plan I subscribe to includes Lightroom Classic, Lightroom, Photoshop, and one terabyte of online storage.

Here are images of Adobeโ€™s Lightroom Classic and Lightroom user interfaces.

Lightroom Classic User Interface
Adobe Lightroom User Interface

Lightroom Classic is suited to users who want total control of their photos, including how they are โ€œdeveloped,โ€ organized, and stored on their computer desktops or laptops. I use both versions of Lightroom.

I import photos into Lightroom Classic from my cameraโ€™s memory card.  These are then organized into a collection within a folder.  They synchronize to the Adobe Cloud; from there, they can be edited and posted to social media such as Facebook and Instagram. 

Capture One Pro

Capture One Pro is an all-in-one photo editing program for desktops and mobile devices.  It has excellent editing features comparable to those in Lightroom. The developer touts Capture Oneโ€™s โ€œLive Viewโ€ in which the software is connected to the camera showing the image directly on the computerโ€™s screen.  I like the ease with which I can define projects, folders within projects, and groups of photos within folders.  I also like the ease with which one can define and use masks.

Below is a screenshot of the Camera One Pro user interface, which is highly customizable.  I also provide links to several YouTube videos showing the power of this software.

Camera One Pro User Interface

Here are some useful links:

Capture One Home Page 

Capture One YouTube Channel

Some great links:

IMPRESSIVE New Features in Capture One 2023!

Capture One on the iPad – Finally here!

DxO PhotoLab 6

DxO software is not as comprehensive as Lightroom or Capture One, but it caught my attention due to its use of artificial intelligence (AI) in some of its features. Its DeepPRIME technology is especially good at image noise reduction. 

One aspect of the program I donโ€™t care for is that the files must be in their own area on the computer disk.  I like having my various programs share a standard file structure.  Luckily, there is a DxO โ€˜plug-inโ€™ for Adobe Lightroom, so the DxO editor is available from within Lightroom.

DxO PhotoLab 6 User Interface

I refer you to the DxO website for the complete list of features.

DxO PhotoLab 6 Home Page

Here are some YouTube videos that focus on DxO PhotoLab 6:

DxO PhotoLab 6 YouTube Channel

DxO Photolab 6 Photo Editing Workflow Tutorial for Beginners ep.451

Mobility

We take mobility for granted because of smartphones.  However, we donโ€™t have the same level of mobility with software residing on our desktop/laptop. Here is where Leica FOTOS and Adobe Lightroom come in.

Leica Camera has introduced an app called FOTOS. It enables downloading photos shot on Leica cameras, then sharing them to Lightroom for editing, and eventual posting to social media and websites.

I will write another post that focuses solely on FOTOS.  For this post, I note that FOTOS on the iPhone or iPad can connect to a camera using a camera-generated wifi network.  After establishing a connection between the camera and FOTOS, one downloads selected photos to the mobile device in preview-, JPEG- or RAW format. Once on the mobile device, the user can send the photos to Lightroom for editing and distribution to social networks.

Below is an iPad screenshot of the FOTOS app, with the left portion showing the cameras that have been connected previously and the right showing the photos in the Leica Gallery.ย  Note the ‘LR’ enclosed in a box at the top right indicating that selected images may be sent to Lightroom for editing.

Leica FOTOS app Screenshot on iPad

The Leica Photography Ecosystem

In this section, I discuss my continuing love affair with Leica.  You can do the same for your favorite camera brand.

In addition to my trusty iPhone, which I carry everywhere, I own several Leica cameras: the Q2, the SL2, and the M10-R Black Paint.  Each camera fills a specific role in its use and capabilities.  The Q2 is an all-in-one camera, a point-and-shoot, or it can become a fully-manual camera if you want it to be.  

The SL2 is the Swiss army knife of cameras with auto-focusing lenses, in-camera image stabilization, and waterproofing. I especially like the Vario-Elmarit-SL 24-90 ASPH zoom lens, which allows me to frame shots the way I want them.

The M10-R Black Paint is a beauty to behold and gives the rich image colors that Leica is famous for. 

For me, the Leica Photography Ecosystem consists of a loosely-connected federation of Leica Stores, Leica cameras, the Leica FOTOS app, photo-editing software such as Lightroom, Capture One Pro or DxO PhotoLab 6, and social media sites for sharing and learning. I examine these below.

Leica Stores

Leica-owned stores are located in major cities throughout the world.  I have done business with both the Washington DC and Miami stores, and have seen videos of the Kyoto, Japan store (see below).  By the way, Kyoto is one of my favorite cities, and I have fond memories of my time at Kyoto University.  These videos combine the sense of beauty of Japanese society and the striving for excellence of Leica products.

Leica Store Kyoto

Leica Store Kyoto Opening Reception

Leica Store Kyoto 5th anniversary ceremony

Leica stores have galleries and put on shows dedicated to photography; they also give seminars and courses on Leica products and software such as Lightroom.

These stores are the forward-facing contact for Leica, and I appreciate everything they do for us enthusiasts.  

For example, during the pandemic, Leica Washington DC ran a weeks-long Zoom-based class on photography, in which we were given assignments, and our moderator provided critiques and encouragement. I found these encounters to be quite helpful.

I have previously discussed the FOTOS app and photo-editing software such as Lightroom.  So now I will focus on ways to meet and share photos, experiences, and knowledge, both in-person and online.

Leica Society International

The Leica Society International is an independent organization the mission and vision of which is to be โ€œThe Ultimate Place for Leica Photography Enthusiasts.โ€ I am a Sustaining Member of the society.  I have attended meetings in Santa Fe, NM; Bellevue, WA and most recently at Teaneck, NJ, which is also the headquarters of Leica Camera USA.  

Leica Society International Home Page

Leica pulled out the stops for the LSI meeting at the Marriot in Teaneck. They invited top-notch photographers as speakers and brought the Leitz Photographica Auction folks from Germany to show off about 40 antique Leica cameras and gear to be auctioned to enthusiasts.

LSI publishes a quarterly journal, called Viewfinder, which highlights stories of interest to photographers in general, and to Leica enthusiasts in particular. 

Leica Society International’s Viewfinder Magazine

I have found being a member of LSI and attending these conferences to be very rewarding.  Leica also has its โ€œLeica-on-Loanโ€ program, which allows attendees to check out cameras and lenses. I used the program to try out the SL2-S body and a 70mm lens for portraiture.

Social Media Outlets

We usually take photos for ourselves but also want to share them with friends and family.

The photography ecosystem supports this by posting and sharing to iCloud or other cloud services, or by posting to Facebook and Instagram.

Back in 2017, when I first started taking photos of people with my Leica cameras, I would ask for their email addresses to be able to send them their images.  In return, they asked me if I had social media sites for posting my photos.  Since then, I have learned the value of social media sites.  I now have a printed business card, a Facebook Page (Kerschberg Photography), and a website.

Facebook

Facebook is such a compelling site for photographers.  There are many groups with Facebook dedicated to Leica cameras.  I have found that there are great photographers on Facebook and I have โ€œfriendedโ€ many of them.  We share a bond; the love of Leica cameras. When I place a new blog post on my website, it is also posted to my Facebook Page, LinkedIn, and X (formerly Twitter).

Here are some Leica Facebook groups to which I belong:

Leica SL2

Leica SL / SL2 / SL2S

Leica M & Leica M Lenses User Group

LEICA Q STREET PHOTOGRAPHY

Leica Black & White Photography

LSI – Leica Society International Meetings Meetup

The Leica Portrait Group

The Leica Landscape & Architecture Group

Instagram

Facebook owns Instagram and provides a venue for individuals to post one or more photos.  These may be โ€œlikedโ€ by others, and comments are welcome.  I have a presence on Instagram and also post simultaneously on Facebook.

YouTube

YouTube is an excellent resource for photographers.  I recommend it for those who wish to learn more about their Leica gear, as well as reviews of new products. Here are a few of my favorite channels:

The Art of Photography

Matt Osborne-Mr Leica

Math Photographer

B and H Photo

Conclusions

I have introduced the concept of the Photography Ecosystem and presented its desired features. I discussed Leicaโ€™s photography ecosystem and my own workflow. A photography ecosystem involves more than just hardware and software; people and their social interactions are also important. We are social creatures, so letโ€™s take advantage of the various venues to share our love of photography and our photos!

Portraiture

In my approach to portraiture, I try to make the subject feel at home with the camera, have them relax, and focus the camera on their eyes. To me, the eyes convey the essence of the person, that is, who they are.

I had ChatGPT write a two-page essay on portraiture, with a special focus on the eyes and a person’s emotions. I decided not to publish it because it seemed rather repetitious. So my two-sentence explanation above will have to suffice.

The Equipment

I have been taking peopleโ€™s portraits for some time now.  I started in earnest in 2017, when I purchased my Leica M10 and both a Summilux-M 50mm f/1.4 ASPH and later a Voigtlander APO-LANTHAR 35mm f/2.0 Aspherical lens

I especially like the M10 paired with the Summilux-M 50mm lens. I have also taken portraits with the Leica Q2 which has a fixed Summilux 28mm f/1.7 ASPH lens. Additionally, I have used the Leica SL series to take photos with SL-lens, such as the Leica Vario-Elmarit-SL 24-90mm f/2.8-4 ASPH.

More recently, I had a chance to try the SL2-S body with a Leica APO-Summicron-SL 75mm f/2 ASPH lens.


Santa Fe, New Mexico โ€“ Leica Society Spring 2018

I took several photos while in Santa Fe, New Mexico for the Leica Society’s Spring Shoot in 2018. These were taken with an M10 and a Summilux-M 50mm f/1.4 ASPH lens. I shot with the aperture wide open at f/1.4.

California Dreaming

I asked this young lady if I could take her photo and she agreed.

We were at the Plaza Restaurant on the Santa Fe Plaza. She told me she was from California, but I didn’t get her name.

I like her blond hair which is a bit out-of-focus.

Leica M10 and Summilux-M 50mm f/1.4 ASPH Lens

Robert Naranjo

I met Robert Naranjo the same morning at the Plaza Restaurant on the Santa Fe Plaza. We talked about his Vietnam experiences and only when he gave me his name, did I realize he is a Santa Clara potter and I have one of his pieces in my collection.

Leica M10 and Summilux-M 50mm f/1.4 ASPH Lens

Tom Rael

Tom is a friend and I asked him to pose for a portrait. We were in a small cafe situated in the Santa Fe Rail Yard next to the Santa Fe Market’s water reservoir. I think his eyes give us a glimpse into his soul.

Leica M10 and Summilux-M 50mm f/1.4 ASPH Lens

Santa Fe Hat Woman

I wandered into a hat store and asked this woman if I could take her portrait. Her smile is very warm and captivating.

Leica M10 and Summilux-M 50mm f/1.4 ASPH Lens


Leica Society International โ€“ Fall 2021 Meeting

I attended the Leica Society International meeting with my partner, Ronnie Beth Sauers, at Bellevue Washington.

We also visited friends at Vashon Island, Washington after that meeting. I include two portraits shot with a Leica Q2.

Ronnie Beth Sauers

It was a rainy day in Seattle, so we took a break at a cafe to dry out and warm up. Ronnie looks like an explorer here. She attended all the conference meetings with me, and we explored several great restaurants near the venue.

Leica Q2 with fixed Summilux 28mm f/1.7 ASPH Lens

Thomas E. Baker

Tom is a college classmate, so we have a long history together. Ronnie and I visited Tom and his family on Vashon Island. Tom loves the sea and his house is right on the Puget Sound. When not on land he is captaining his sailboat.

Leica Q2 with fixed Summilux 28mm f/1.7 ASPH Lens


Friends and Family

Here are some portraits of family and friends taken recently.

Zachary Kerschberg

Zach is my nephew and we took this shot at an Afghan Restaurant in Washington DC. He is a talented film maker and screenwriter.

Leica M10-R and Summilux-M 50mm f/1.4 ASPH Lens

Amitava ‘Chats’ Chatterjee

‘Chats’ is my friend and a Leica enthusiast. He is a member of the Board of Directors of the Leica Society International.

He receives and tests the latest Leica gear before it is available to the general public.

He wrote a wonderful review of the recently-released Leica M11 Monochrom. The images from that camera are stunning, especially in low-light conditions!

Leica M10-R and Voigtlander APO-LANTHAR 35mm f/2.0 Aspherical Lens

My Dance Teacher

This photo was taken at a Fred Astaire Spring Fling at Dulles, Virginia. I entered a competition for my age group โ€“ there were two other competitors โ€“ dancing three dances. They were Fox Trot, Rhumba, and Tango. We won first place in that competition!

Leica M10 and Summilux-M 50mm f/1.4 ASPH Lens


Leica Society International โ€“ Spring 2023 Meeting

I attended this meeting held at the Marriott Hotel at Teaneck, New Jersey. I borrowed a Leica SL-S body and a Leica APO-Summicron-SL 75mm f/2 ASPH lens. I was experimenting with this lens for portraiture. Here are a few photos I took.

Wilbur Norman

Wilbur is a Santa Fe-based photographer and a Board Member of the Leica Society International. He likes to lead small groups on photo expeditions to far-off places such as Papua New Guinea and Africa.

I purchased one of Wilbur’s photos of the Ranchos de Taos Church, taken in very low light.

Here is a link to his website.

Leica SL2-S and Leica APO-Summicron-SL 75mm f/2 ASPH lens

Sean Sweeney

This was my first encounter with Sean, and he is quite a dapper man in his various berets and capes.

Sean hails from Boston, and from the comments of other conference attendees, he is well known and liked.

Leica SL2-S and Leica APO-Summicron-SL 75mm f/2 ASPH lens

Brandon Andre

Brandon is the manager of the Leica Store Bellevue, Washington.

I asked Brandon to pose for a portrait and I was able to get not only his face but also his hands. The backdrop shows the Leica Red Dot, but it is clearly out of focus.

Leica SL2-S and Leica APO-Summicron-SL 75mm f/2 ASPH lens


Conclusions

My approach to taking people’s portraits is to have them relax and get used to the camera. I like to shoot with the lens aperture wide open, and focus primarily on the eyes. I will let the photos speak for themselves.

Winnie-the-Pooh Story

In July, 2018 I visited Columbus Ohio to participate in the 2018 Photojournalism Workshop run by the Leica Store, Miami.

Our instructor was the Pulitzer-prize-winning photographer, William Snyder, who teaches at the Rochester Institute of Technology.

The venue was the Ohio State Fair which was my first state fair. I was surprised by the size of the fairgrounds, the variety of exhibitions, and the buildings that were named after former Ohio governors. More about the Fair in future posts.

I was out one evening taking pictures with my photo-buddy, Tony Palazzo, who hails from New Orleans. Talk about ‘being at the right place at the right time’, this happened to me!

We came upon a game called “Balloon a-Rama” in which participants try to pop balloons by blowing jets of air at them. A young lady popped a balloon and was asked to pick a prize.

I motioned to her to come towards me, as there was a Winnie the Pooh bear she might like. That is what she did and the following photos document her getting her prize.

Proud Owner of the Winnie-the-Pooh Bear.

Beacon Photography Group Reception

On January 14, 2022 the Beacon Photography Group 2023 Members Showcase had a reception for club members, their families and friends at the Howland Cultural Center in Beacon, New York. About 90 people attended and everyone mingled and chatted.

If you happen to be in Beacon or coming to Beacon for a visit, please drop in on Saturdays or Sundays from 1pm to 5pm. The showcase runs until February 26th.

My Photos in the Showcase

I have three photos in the showcase and one of them โ€“ Sunset at Long Dock in Beacon โ€“ sold in the first 15 minutes of the show’s opening.

Sunset at Long Dock in Beacon

The two other photos are titled “Black Water and Ice” and “Ice Flows on the Hudson at Cold Spring”

Black Water and Ice

Ice Flows on the Hudson at Cold Spring

This last photo is a panorama consisting of five individual photos stitched together. It is 55 inches wide. The sepia color makes it look timeless.

The Reception

I took my Leica Q2 camera to the reception and snapped quite a few photos. It was dark inside as most of the lights illuminated the photos. I developed them using Capture One and then I discovered, via YouTube, a program called DxO PhotoLab 6.

I exported the DNG (Digital Negatives) I had developed in Capture One, along with their adjustments, and then processed them in PhotoLab 6. PhotoLab does not import the originals, rather it leaves the originals in place and adds a separate file with suffix “.dop” with the changes that have been applied to the photo. PhotoLab has a number of “AI” (Artificial Intelligence) algorithms which I applied to the various photos. The program impressed me and you can download a month-long free trial from their site.

Below is a gallery of photos I took at the reception. If you click on an image in the gallery, you will see the photos in full-screen mode and will be able to the use the arrows at either end to scroll through them. The small ‘X’ in the right-hand corner can be used to leave the gallery and come back to the article.

Proud owners of my photo: Mr. and Mrs. Ray Herbst

Philomena Kiernan, Tom Conroy and Markie Baylash

Conclusions

In addition to documenting the Showcase reception with my photos, I was able to process them using the DxO Photolab 6 program. One quickly realizes that the image the camera takes is just the beginning of a process to make that image what we want the beholder to see. Now, I cannot imagine just using an image “straight out of the camera”. The digital negative has a lot of information that can be used to bring the image to the point at which one is willing to share it with an audience.

Ironically, the ‘Sunset at Long Dock in Beacon’ photograph that was sold was taken with an iPhone. The others were taken with the Leica Q2. I am always amazed by the quality and focus of the iPhone images. Apple has coined the phrase “Computational Photography” and there is a lot of background processing going on before the image goes into your Photo Library. In future articles I plan to explore the range of algorithms used by these cameras to assist us in creating lovely photographs that capture the great moments in our lives.

All photographs in this post are copyright by Larry Kerschberg, All Rights Reserved.

Happy New Year from Reston, Virginia

Happy New Year, everyone. I wish you the very best for 2023. I present to you the Big Bear that sits in front of the the Comstock Building in Reston, the occupants of which include Google, Neustar, and IFC.

Big Bear

Here is a photo of the Comstock Building, designed by the late-architect Helmut Jahn. The building is rated as LEED Silver, a globally recognized symbol of sustainability achievement, and has 365,000 square feet of office space.

The Comstock Building

The Comstock Building sits across the street from Comstock’s newest project at Reston Station, which will include a JW Marriott hotel, high-end apartments, retail shops and a cinema. Below is an artist’s rendering of the complex. Everything is within walking distance of the Reston Metro Station.

Comstock’s Reston Station Artist’s Conception.

This image, captured from Google Earth, shows the area outlined by the orange rectangle that was razed to make way for the project.

Photos from the Construction Site

Here I present a few photographs of the Reston Station site described above. I took them on December 30, 2022, with a Leica SL2 and a Leica Vario-Elmarit-SL 24-90 zoom lens. I counted a total of seven cranes on the site. The first photo shows six of those cranes.

Cranes at work at Reston Station

The next few photos show the helter-skelter of the site.

The controlled chaos of the construction site.
Cranes and people at work.
Solitary worker looking into the abyss.

Conclusions

This is the second post of a construction site within a month. Why am I drawn to these sites?

I think it has to do with the transformationโ€“from raw materials to finished buildingsโ€“as it occurs before my eyes. It starts with site clearing, continues with site excavation, and follows with construction of buildings from the ground up.

One can only imagine the planning process involved before the construction begins. Applying for permits, attending planning and design meetings with local boards, collaboration among and between architects and engineers to design the buildings, for example. An army of people then makes their vision a reality. Iโ€™m sure all parties derive satisfaction from the fruits of their labor.

In my previous post on โ€œFrom Start to Finish,โ€ I was able to highlight some of the people involved in the construction. This current project focuses more on a major building project with a total of seven cranes at work simultaneously.

It is a photographer’s delight. I can stand back from the dust, dirt, and cacophony to capture the process of building a complex commercial site. I am an observer making decisions about what parts of this complex reality I want to capture.  

The area around the Reston Metro Station is being developed at a rapid pace, and will change the character of Reston. I plan to return to the site often to monitor its progress.

Rolling Thunder: A Tribute to our Veterans and those Missing in Action

In the United States, the last weekend in May โ€“ Memorial Day Weekend โ€“ marks the โ€˜officialโ€™ beginning of Summer. During that holiday weekend, some 400,000 bikers descend on Washington DC for Rolling Thunder, an annual ride that begins at the Pentagon, continues along Constitution Avenue, and loops back to end at the Lincoln Memorial.

According to its website, Rolling Thunder’s mission is to raise awareness of critical issues facing veterans and to demand action for the more than 82,000 service members missing in action, primarily in the Vietnam War, and for the 22 veterans who die by suicide every day. There is hardly a more worthy cause.

On Memorial Day Weekend 2018 I went to the Pentagon parking lot where the bikers were staging to begin their ride. I saw a sea of bikes, each positioned in neat, tight rows oriented towards the direction of the ride route. The camaraderie was palpable, as was the heat that day; in the 90s if I recall correctly. I snapped lots of photos of bikers, their families, their bikes and trucks wrapped to honor our nation’s vets.

Rather than say a lot about the photos, I’ll let them speak for themselves. They are divided into sections: Portraits, Wrapped Trucks, Bike Chrome, Human Interest and Videos.

These photos and videos were taken with the Leica SL2 and the Leica Vario-Elmarit-SL 24-90 F/2.8-4 ASPH lens.

Portraits

This section has photos showing the good will and family-orientation of the event. There were families with young children, partners, as well as single people.

Biker Family and their Indian brand motorcycle.

If you click on one of the gallery photos, it will expand to fit your screen and you can view each one by click on the arrows to the right and/or left.


Wrapped Trucks

To my surprise there were large trucks โ€˜wrappedโ€™ with patriotic images. For example, one depicted the Tuskegee Airmen โ€“ the renowned corps of Black pilots and airmen who flew in WWII; and another of the Navaho Code Talkers whose coded language was never deciphered by the Japanese during WWII.

Truck with Theme of Rolling Thunder – Prisoners of War/Missing in Action
Tuskegee Airmen
Truck wrapped with Code Talker Motif
Navajo Code Talkers

Bike Chrome

The array of beautiful motorcycles with their gleaming chrome was a sight to behold. I include a few photos of these beauties.

Human Interest

Here I include a few whimsical photos that show the bikers at rest in the heat of the noon-day sun; the temperature was at least 90 degrees.

Videos

In order to really experience the sounds of these bikes, I have included several videos. One is of Superman on his Ducati, another shows the sea of bikes waiting to join the ride, and the last one shows the bikers peeling off their columns to join the ride.

Note: Please be patient while the videos load.

Superman and his Ducati
A Sea of Bikes

Bikes peeling off to join the Rolling Thunder ride.

Conclusions

I have been to several Rolling Thunders over the years, and the sound of these bikes rolling down Constitution Avenue in front of the White House can be deafening. People along the route reach out to touch hands with the riders.

On this day I wanted to see the preparations for the ride, to see all the bikes lined up, to experience the camaraderie among the bikers, and to enjoy the welcoming smiles as I asked to take their photos. No one refused and they were eager to get their message out: Never forget the Missing in Action (MIAs) and to bring them home to rest.

Ansel Adams: Compositions in Nature

Introduction

On December 22, 2021, I traveled to the Virginia Fine Arts Museum (VFAM) in Richmond to see the Ansel Adams exhibition titled “Compositions in Nature”.

I viewed the Masterโ€™s photos โ€“ all in black-and-white โ€“ but to me they seemed to be in color.  It was a strange experience. The blacks seemed to be dark Blue. The Aspens shown below seemed to have green trunks. My eyes were playing tricks on me. What impressed me the most was that every photograph was in sharp focus โ€“ from foreground to background.

So here is an oxymoron for you. Take color photos of Adam’s black-and-white photo prints, and convert them to black-and-white. I used my Leica M10-R and a Leica 50mm Summilux lens to take the photos. They were taken with a color sensor and converted to black-and-white using the DxO software. Clearly, my images are not the same as the Master’s, but I did want to share them with you, the reader.

The VFAM allows photography without flash, so these images were taken with permission of the VFAM. All photos are copyrighted by Ansel Adams .

Unfortunately there was no catalog for this exhibit. However, I recently did some research and found an Adams scholar, Dr. Rebecca Senf of the Center for Creative Photography at the University of Arizona. The very evening the exhibition opened to the public, Dr. Senf gave an hour-long talk discussing her research into Adams’ early years as he was perfecting his photographic style. Here is a link to the YouTube video of her presentation. Dr. Senf has published a book, mentioned in her talk, entitled “Making a Photographer: The Early Work of Ansel Adams”. Here is a link to her book at Amazon.com.

Photos from the Exhibition

Here are some of the photos from the exhibition.

Aspens, New Mexico
Aspens, New Mexico
Aspens, Northern New Mexico
Aspens, Northern New Mexico, ca. 1958; The Turtle Bay Exploration Park, Redding, CA, 2002.13.3





Frozen Lake and CliffFrozen Lake and Cliffs, the Sierra Nevada, Sequoia National Park, California, 1932; The Turtle Bay Exploration Park, Redding, CA, 2002.13.14

The commentary for these photographs reads:
Trees, aspens in particular, appear throughout Adams’s photography. Often set amid grand panoramic views, they help define the scale of a photograph. Yet, here a group of truncated trees seems to emerge from a murky, darkness, like lithe bodies approaching the viewer. Adams’s careful selection of the tonal values, which he identified and bore out in the darkroom before he made the photograph, enliven this image of tree trunks.

Oak Tree, Snowstorm, Yosemite National Park, California, 1948; The Turtle Bay Exploration Park, Redding, CA, 2002.13.31
Vernal Fall, Yosemite Valley, California, ca. 1948; The Turtle Bay Exploration Park, Redding, CA, 2002.13.47

The commentary for this photo reads:

From a young age, Ansel Adams was familiar with the valleys, summits, and, of course, the majestic waterfalls of Yosemite. The Vernal Falls is a magnificent cascade along the Merced River, which Adams photographed repeatedly over his long career. Not surprisingly, Adams considered a waterfall a dramatic moment in the otherwise languid music of the waterway. He stated,

“A waterfall is but an episode in the life of a whole singing stream, pouring from the high stone fountains of the summit peaks to the blending with the greater river below.”

Monolith, the Face of Half Dome, Yosemite National Park, California 1927, printed ca 1980; The Turtle Bay Exploration Park, Redding, CA, 2002.13.26

The Golden Gate before the Bridge, San Francisco, California, 1932; The Turtle Bay Exploration Park, Redding CA, 2002.13.33
Ansel Adams' Masterpiece
Moonrise, Hernandez, New Mexico, October 31, 1941; The Turtle Bay Exploration Park, Redding, CA, 2002.13.28

Comments made by Ansel Adams when he came upon this scene

Ansel Adams recounted the precise events that led him to create this iconic photograph:

“When I took my moonrise picture, the one with the church and the graveyard at Hernandez, New Mexico, I was driving back to Santa Fe from the Chama Valley and I saw this wonderful scene out of the window. The reaction was so strong I practically drove off the road. I got out the tripod and camera, took the front part of the lens off, screwed it on the back of the shutter and began composing and focusing. All the time I was trying.to think of what I’d have to do to make the picture, I couldn’t find my exposure meter, but I knew the moon’s luminance was 250 candles per square foot and that was placed on Zone VIl of the exposure scale. That gave me a shutter speed of a sixtieth of a second at f/8 with a film speed of ASA 64. The filter factor was 3X, so that made the basic exposure a twentieth of a second. I exposed for a long second at f/32, made one picture, and while I was turning the holder around and pulling out the slide to make a duplicate, the sunlight went off the crosses. I got the picture by about 15 seconds!”

We will learn more about the Zone System a bit later in this note.

Mount Williamson, The Sierra Nevada, from Manzanar, California, 1945; The Turtle Bay Exploration Park, Redding, CA, 2002.13.29
Half Dome, Merced River, Winter, Yosemite National Park, California, ca.1938; The Turtle Bay Exploration Park, Redding CA, 2002.13.18
Half Dome, Cottonwood Trees, Yosemite Valley, California, ca.1932, printed January 1979 Virginia Museum of Fine Arts, Gift of Andrea Grey Stillman, 2018.586

The commentary associated with these images is the following:

Adams’s love of nature and photography was awakened during his first family vacation to Yosemite when he was fourteen. He took his first photographs during that trip, and he returned yearly for the rest of his life. Adams made this image from the Old Sentinel Bridge near Yosemite Chapel in 1938 with an 8 x 10-inch view camera.

Committed to caring for the natural world, Adams would become an important part of the American conservation movement as his shared elusive views of nature with a wider public, fueling interest in protecting those remarkable landscapes. In recognition of Adams’s lifelong advocacy, he was awarded the Presidential Medal of Freedom in 1980.

Monument Valley, Arizona, 1958; The Turtle Bay Exploration Park, Redding, CA, 2002.13.27

The Zone System

Adams perfected the Zone System, a photographic technique that allows the photographer to have precise control over the tonal values in the final print; from the blackest black to the whitest white. Working in the analogue mode of photography with large-format negatives, the Zone System fulfilled Adams’s interest in visualizing what a photograph would look like before the camera shutter ever opened.

The Zone System was created by Ansel Adams and Fred Archer and has a Wikipedia Page. Here is a photo I took at the exhibition.

The Zone System used by Ansel Adams

Conclusions

Exhibitions such as this are feast for the eyes, and one can learn so much about the artist, in this case Ansel Adams. In my research, I discovered that Adams also shot in color and the Zone System has been adapted for color photography.

My visit to the Virginia Fine Arts Museum was an eye-opener for me in that I discovered its collection of modern art, the sculptures of Herbert Haseltine, and I attended the Man Ray exhibition. It was quite an afternoon, both visually and intellectually.

The photos below show Ansel Adams and his wife, Virginia, at home, a photo of the Master at work atop his station wagon, and the banner for the exhibition.

Alan Ross, American, Born 1948; Ansel and Virginia Adams at Home, Carmel, California, ca. 1975; Virginia Museum of Fine Arts, Gift of Andrea Gray Stillman, 2018.580
Ansel Adams at Work
Banner for the Ansel Adams Exhibition

The Howland Cultural Center

Beacon’s Cultural Gem

A Brief History

Beacon New York is the home of the Howland Cultural Center, a landmark building โ€“ listed on the National Register of Historic Places โ€“ that was commissioned as a library in 1872. On May 15, 2022, The Howland Center will celebrate its 150th anniversary. General Joseph Howland was a Civil War General and shipping magnate and the primarary benefactor of the then Howland Library. Later it became the Howland Cultural Center.

General Joseph and his wife, Elizabeth Woolsey Howland, in addition to establishing the Howland Library, made several other gifts to the Beacon community, including the Tioronda School, the first Highland Hospital, and the First Presbyterian Church. Their estate, called Tioranda, after the Native American word meaning “Meeting of the Waters”, was designed by the architect Frederick Clark Withers.

To learn more about General Howland you can visit his Wikipedia page: https://en.wikipedia.org/wiki/Joseph_Howland

General Joseph Howland

Howland commissioned his brother-in-law, Richard Morris Hunt, to design the new library. Hunt would later go on to design the base of the Statue of Liberty, the faรงade and main rotunda of the Metropolitan Museum of Art in New York City, a wing of the Louvre Museum in Paris, as well as the “Breakers” at Newport, Rhode Island.

To learn more about Mr. Hunt you can visit his Wikipedia Page: https://en.wikipedia.org/wiki/Richard_Morris_Hunt

The Exterior

The building itself is beautiful both inside and out. It is Norwegian in architectural style and has a six-gabled roof covered with Delaware slate. The outside walls are made of red-and-black Croton brick which is interlaid with light Jersey brick.

Side View of the Howland Center

Here is an early photo of the Howland Center, which hangs in the entrance hallway.

Early photo of the Howland Center

Here are two shots of the building’s brick details. Click on each gallery photo to see the full photo.

The Interior

The ceiling โ€“ from floor to dome โ€“ measures 33 feet and 9 inches and is supported by hand-crafted Giorgia pine columns. The floors are in three thicknesses, composed of English cane felt laid on hemlock boards to prevent dampness or sound propagation. Having attended several events, I can attest that the acoustics in the room are superb.

A partial view of the woodwork

The Howland Center is going through a process of renovation and renewal. The first order of business has been to refurbish and repaint the upper levels a warm white, and to enliven and enrich the main floor with Kilim-red panels as shown in the photo below.

Panel Color as taken with my iPhone 13 Pro

In order to capture the true color of panels, I decreased my iPhone’s exposure to take a photo of the panel as I saw it. It is difficult to capture the precise color of the panels, as shown in the various photographs below. This is due to the extant light hitting the camera’s sensor and the processing being done within the camera. In order to really experience the unique warmth of the room, you have to be there.

Closeup of the performance stage; taken with Leica SL2.

Here is a wide-angle shot of the interior:

Interior showing historic clock, woodwork and color panels

Here are several additional photos; please click on each photo to see it full-screen.

The Future

The Howland Cultural Center will celebrate its 150th year on May 15, 2022. It will sponsor a fund-raiser to raise money to improve the exterior faรงade which is in need of repair. I call upon all Beaconites as well as those of you who care about preserving these cultural gems to participate in this important rejuvenation process.

Here is a glimpse of one of the changes coming this year. The doors of the Howland Center will be painted black.

The Howland Center Exterior with Black Doors

Conclusions

I had fun shooting the Howland Center and viewing the rich textures of both the exterior and the interior. The photos here were shot with Leica cameras and lenses and the iPhone 13 Pro. The photo of the exterior with the black doors was photographed and PhotoShopped (courtesy Jane Soodalter).

If you live in Beacon, or are planning to travel to Beacon, please put the Howland Center on your itinerary. It is right on Main Street, amidst the bustling shops that make Beacon a ‘destination’ in the Hudson Valley.

The Howland Center is now a cultural center hosting a raft of activities, from chamber music concerts, vocal groups, art exhibitions, theatrical productions, and the like.

Here are some relavant links:
Howland Culltural Center website: http://www.howlandculturalcenter.org/

Howland Chamber Music Circle website: https://www.howlandmusic.org/Center.html

Howand Cultural Center Wikipedia Page: https://en.wikipedia.org/wiki/Howland_Cultural_Center

Howland Cultural Center Facebook Page: https://www.facebook.com/howlandcenterbeacon/

Howland Cultural Center Instagram Page: https://www.instagram.com/howland_cultural_center/?hl=en

Howland Events Ticket Sales: https://www.onthestage.tickets/howland-cultural-center/

I have a special interest in the evolution of the Howland Center, because my partner, Ronnie Beth Sauers, is a member of the Board of Directors. She is actively participating in both the interior and exterior renovation of this historic building.

Welcome to Kerschberg Photography


Panorama of Cold Spring, New York with Ice Flows on the Hudson River

I am a photographer and Professor Emeritus at George Mason University in Fairfax, Virginia.

I plan to post photo projects and blog posts here. I welcome your comments and feedback.

I shoot with Leica gear, including the M10-R, the SL2 and the Q2; I always have my iPhone 13 Pro in my pocket.

All photos copyright by Larry Kerschberg, All Rights Reserved.